Article
Article name Conceptual Foundations for Designing the Content of the Regional Component of the Educational Area “Art” (The Case of “Transbaikal Studies”)
Authors Gomboeva M.I. Doctor of Culturology, Professor, m.i.gomboeva@gmail.com
Bibliographic description Gomboeva M. I. Conceptual Foundations for Designing the Content of the Regional Component of the Educational Area “Art” (The Case of “Transbaikal Studies”) // Humanitarian Vector. 2021. Vol. 16, No. 2. PP. 144– 152. DOI: 10.21209/1996-7853-2021-16-2-144-152.
Section MENTAL SPACE OF THE REGION
UDK 378:7
DOI 10.21209/1996-7853-2021-16-2-144-152
Article type
Annotation The article is devoted to the analysis of conceptual (scientific) and methodological strategies for designing the content of the regional component of the educational area “Art” on the example of Transbaikal Studies. A new educational sphere “Art” has been introduced into the educational programs of Russian schools. In a multinational state, the federal law “On Education in the Russian Federation” presupposes the implementation of the national-regional component in the lessons of the integrated course “Art”. This actualizes the need for a textbook on the art of Transbaikalia, which suggests a constructive reformatting of the definition of the content of the subject, which, in our opinion, should be preceded by an analysis of the conceptualization of scientific approaches to the selection of sections of the curriculum, subject and thematic components, educational technologies that develop the creative potential of the student. In modern education, the main subject areas of art are a fairly harmonious system of knowledge, value attitudes, artistic skills that ensure the full realization of the student’s creative potential. The relevance of the introduction of new subject areas is determined by the fundamental importance of integrating school education into contemporary art and culture.The widespread use of the figurative representation of knowledge in modern conditions (visual, iconic, pictoral), technical means of creating new imagery and the problems of simulating aesthetic worlds arising in this case, the peculiarities of the cognitive development of modern students (mosaicism, fragmentation, clip-like thinking) determine their perception of art. New sources of student motivation and waysof teaching students in a distance learning environment, current trends in technology, culture and art (D. Bachman- Medic, K. Schwab) have led to fundamental changes in the modern culture of education, the activation of additional resources for the cognitive development of students.
Key words regional component, educational area “Art”, classical theory of art, design of the content of the subject area, principles of content selection, gaining epistemological agreement, consensus of subject specificity of the course
Article information
References 1. Mitchell, W.J.T. Der Pictoral Turn. Christian Kravagna. Privileg Blick. Kritik der visuellen Kultur. Berlin: ID-Archiv,1997: 15–40. (In Germ.) 2. Mitchell, W.J.T. Picture Theory. Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994: 3–34. (In Engl.) 3. Hofmaster, H. What does it mean to think philosophically? SPb: Izd-vo S. Peterb. un-ta, 2006. 448 s. (In Rus.) 4. Habermas, Yu. Structural transformation of the public sphere. M: Ves’ Mir, 2016. (In Rus.) 5. Irhen, I. I. Russian education in the field of culture and arts: dr. cult. sci. diss. abstr. M., 2012. (In Rus.) 6. Arslanov, V. G. Synthesis of ideas based on the methodology of the Viennese school. Structural Science G. Kashnitsa. Teoriya i istoriya iskusstvoznaniya. HKH vek. M., 1998: 173–177. (In Rus.) 7. Baeva, V. V. Transbaikal theater: history and modernity. Chita: ZabGGPU, 2006. (In Rus.) 8. Vel’flin, G. Classic art. M: Airis-press, 2004. (In Rus.) 9. Darizhapova, O. Sh. Traditions and Innovations of the Song Culture of the Khori-Buryats: Historical and Art Criticism Aspect: sci. diss. abstr. Vladivostok, 2010. (In Rus.) 10. Zel’dmayer, G. Art and Truth. Theory and method of art history. SPb: Axioma, 2000. (In Rus.) 11. Kiyashchenko, N. I. Principles and criteria of creativity, forms of interaction. Tvorchestvo kak princip antropogeneza. M: Institut filosofii RAN, 2006: 20–83. (In Rus.) 13. Mirimanov, V. Postclassic period. Aesthetic revolution of the twentieth century. Another paradigm of eternity. Iskusstvo i mif. Central’nyj obraz kartiny mira. M: Nauka, 1997: 180–269. (In Rus.) 14. Neretina, L. V. Regional component of ethno-art education in the process of professional training of teachers of fine arts. Fundamental’nye issledovaniya, no. 4, pp. 32–36, 2011. (In Rus.) 15. Perminova, L. M., Baranov P. A. et al Experience of introducing a regional component into the content of education. Pedagogika, no. 4, pp. 35–39, 1998. (In Rus.) 16. Spiridonova, A. V. Regional culture: the dialectic of the local and the universal: on the material of Eastern Transbaikalia: cand. cult. sci. diss. abstr. Chita, 2007. (In Rus.) 17. Baeva, V. V. Transbaikal theater: history and modernity. Chita: ZabGGPU, 2006. (In Rus.) 18. Darizhapova, O. Sh. Traditions and Innovations of the Song Culture of the Khori-Buryats: Historical and Art Criticism Aspect: sci. diss. abstr. Vladivostok, 2010. (In Rus.) 19. Chzhen, I. A. Professional musical culture of the Far East countries in the context of intercultural interactions: sci. diss. abstr. Chita, 2006. (In Rus.) 20. Gomboeva, M. I. Applied Arts Teaching Methodology as a Factor of Socio-Cultural Continuity. Prikladnye remesla v sociokul’turnoi deyatel’nosti. Chita: ZabGU, 2017: 95–120. (In Rus.) 21. Ivanova, Yu. V. The enduring value of art workshops for the educational process. Hudozhestvennye masterskie v obrazovatel’nom processe. Chita. 2019: 110–146. (In Rus.)
Full articleConceptual Foundations for Designing the Content of the Regional Component of the Educational Area “Art” (The Case of “Transbaikal Studies”)
0
15