References |
1.
Agafonova, N. A. Screen art. Artistic and communicative specificity. Minsk: BGU kul’tury i iskusstv, 2009. (In Rus.)
2.
Adorno, T., Khorkkhaimer, M. Dialectics of Enlightenment. SPb: Medium, Yuventa, 1997. (In Rus.)
3.
Aronson, O. V. Communicative image. Movie. Literature. Philosophy. M: Novoe literaturnoe obozrenie, 2007. (In Rus.)
4.
Glagolev, V. S., Medvedeva, S. M. Religious images in American cinema: the search for God and man. Humanitarian vector, no. 3, pp. 115–125, 2017. (In Rus.)
5.
Glagolev, V. S. Realism of analysis ‒ the initial condition of scientific perspective (co-report). Law and Administration. XXI century, no. 4, pp. 12–18, 2011. (In Rus.)
6.
Grei, G. Cinema: Visual Anthropology. M: Novoe literaturnoe obozrenie, 2014. (In Rus.)
7.
Krakauehr, Z. From Caligari to Hitler: A Psychological History of German Cinema. M: Iskusstvo, 1977. (In Rus.)
8.
Lotman, Yu. M. Semiotics of cinema and problems of film aesthetics. Tallin: Ehehsti Raamat, 1973. (In Rus.)
9.
Mironov, D. D., Lyapkina, T. F. Cinema as a means of expressing cultural meanings. Proceedings of the St. Petersburg State Institute of Culture, v. 210, pp. 255–262, 2015. (In Rus.)
10.
Nikolaeva, K. A. Cinema in the context of sociological knowledge. Views of the representatives of the Frankfurt School. International Scientific Research Journal, no. 4, part 7, pp. 140–142, 2016. (In Rus.)
11.
Plotnikova, S. O., Bolotin, Yu. E. The influence of cinema on the ideological attitudes of youth. Young scientist, no. 1, pp. 95–97, 2017. (In Rus.)
12.
Razlogov, K. Eh. World cinema: the history of screen art. M: Ehksmo, 2011. (In Rus.)
13.
Rogozyanskiy, M. Eh. Is cinema an ocean of meanings or a territory of delusions? Thoughts aloud on the pedagogical potential of national cinema. Bulletin of Kemerovo State University of Culture and Arts, no. 37, part 2, pp. 189–193, 2016. (In Rus.)
14.
Savel’eva, E. N. Traditional and innovative aspects of the communicative potential of cinema. International Journal of Culture Studies, no. 2, pp. 129–136, 2015. (In Rus.)
15.
Skrinnik, A. I. Cinematography as a means of semantic restructuring of a person. Life-long education: continuous education in the interests of sustainable development: materials of the 13th International scientific conferece. SPb: Publishing House of the A. S. Pushkin Leningrad State University, vol. 13, part 2, pp. 452–437, 2015. (In Rus.)
16.
Silant’eva, M. V., Glagolev, V. S., Tarasov, B. N. Philosophy of intercultural communication. International processes, vol. 15, no. 2, pp. 64–76, 2017. (In Rus.)
17.
Silant’eva, M. V. Communication as a way to translate the intentional experience of local cultures. Scientific research and development. Modern communication studies, no. 4, pp. 49–55, 2016. 2016. (In Rus.)
18.
Simonov, Yu. P. Anthropological dimension of the conceptualization of languages of knowledge in modern culture. Humanitarian vector, no. 3, pp. 124–131, 2018. (In Rus.)
19.
Subbotina, M. A. “Screen” as a tool of influence of “soft power”. Ethnosocium and multinational society, no. 4, pp. 87–93, 2018. (In Rus.)
20.
Tarasov, K. A. Violence in films: three conditions of mimetic exposure. Vestnik VGIK, no. 2, pp. 84–96, 2016. (In Rus.)
21.
Tarasov, K. A. The role of violence in communication: definition, effect and its regulation. Communicology, no. 2, pp. 168–180, 2017. (In Rus.)
22.
Kravchenko, S. A. Traditional and New Values: Politics, Society, Culture. Proceedings of the International conference. M: MGIMO, 2001. (In Rus.)
23.
Fortunatov, A. N. The performative nature of modern communication. Bulletin of N. I. Lobachevsky Nizhny Novgorod University, no. 1, pp. 350–354, 2009. (In Rus.)
24.
Chuprova, I. A. The musical culture of Russia as an instrument of “soft power”: revealing the image of the Fatherland in the dialogue between Russia and France. Man in the World. The world is in man. Perm: PGNIU, 2014: 176–183. (In Rus.)
25.
Chuprova, I. A. “Image” and “mental impression” of the country: the problem of the demarcation of concepts. Law and Administration. XXI century, no. 4, pp. 129–133, 2015. (In Rus.)
26.
Shestopal, A. V., Silant’eva, M. V. Intercultural communication. The “soft power” of cultural modulators. Resources for Modernization: the Possibilities and Limits of the International Context: Proceedings of the VII RISA Convention. M: Aspekt-Press, 2012: 204–211. (In Rus.)
27.
Atwood, B. Reform Cinema in Iran: Film and Political Change in the Islamic Republic (Film and Culture Series). Columbia: Columbia University Press, 2016. (In Engl.)
28.
Dabashi, H. Close Up: Iranian Cinema, Past, Present, and Future. New York: Verso, 2001. (In Engl.)
29.
Gugler, J. Film in the Middle East and North Africa. Creative Dissidence. Austin: University of Texas Press, 2011. (In Engl.)
30.
Jahed, P. Directory of World Cinema. Iran: Intellect, 2012. (In Engl.)
31.
Mirbakhtyar, S. Iranian cinema and the Islamic revolution. Australia: McFarland & Company press, 2006. (In Engl.)
32.
Naficy, H. A social history of Iranian cinema. Durham and London: Duke University Press, 2012. Vol. 4. (In Engl.)
33.
Rahnema, S., Behdad, S. Iran after the Revolution: Crisis of an Islamic Statе. London: I. B. Tauris, 1995. (In Engl.)
34.
Reza-Sadr, H. Iranian Cinema: a Political History. New York: I. B. Tauris Publishers, 2006. (In Engl.)
35.
Tapper, R. The new Iranian cinema. Politics, Representation and Identity. London and New York: I. B. Tauris & Co Ltd, 2002. (In Engl.)
36.
Wagner, H. L. The Iranian Revolution. New York: Infobase Publishing, 2010. (In Engl.) |