Article
Article name Structural and Content Elements of “Duende” Phenomenon in Sociocultural Representation of a Spanish Flamenco Dance
Authors Kucherenko A.L. Postgraduate Student,, anasta-leon@mail.ru
Bibliographic description Kucherenko A. L., Konopleva N. A. Structural and Content Elements of “Duende” Phenomenon in Sociocultural Representation of a Spanish Flamenco Dance // Humanitarian Vector. Series Philosophy. Cultural Studies. 2016. Vol. 11, No 2. P. 112–119.
Section PHILOSOPHY OF CULTURE AND ART-CULTURAL KNOWLEDGE
UDK 793.31(460)
DOI
Article type
Annotation The article reveals the essence and a content structure of “duende” phenomenon, which is a culmination point of flamenco dance, its “spirit”. According to the professional performers and researchers (А. P. Claramunt, R. Molina, A. G. Climent, E. M. Andy, F. G. Lorca and others), flamenco dance is not possible without “duende”. In Spanish folklore “duende” is understood as “a superficial creature, spirit, invisible being”. In relation to flamenco art, “duende” is called “a black devil of inspiration” – a specific state of mind characterized by an emotional uplift and trance of a dancer during performing.Meanwhile, despite the importance of this phenomenon for the art of flamenco, up to the present times there has not been a scientific definition of “duende” and analyses of its structural elements. The article presents the outcomes of the research, describing and justifying the discovered “duende” elements. The article is the first to present a structural model of “duende” consisting of five components: creative imagination, inspiration, emotion return, improvisation and trance. A special viewer’s feedback, i. e. catharsis is considered as a criterion of “duende” expression during its performance. The article analyzes each “duende” component and concludes that a “duende” mode occurs in the result of the primary and secondary psychological processes based on the conscious and unconscious principles of a performer, synthesis of mentality and feelings.
Key words flamenco dance, duende, spirit, improvisation, inspiration, imagination, emotions, trance, the unconscious
Article information
References 1. Andi E. M. Flamenko: tainy zabytykh legend. M.: Musalaev, 2003. 183 s. 2. Benson G. , U. Proktor. Kak stat’ geniem. M., 2004. 380 s. 3. Vygotskii L. S. Psikhologiya iskusstva. M.: Iskusstvo, 1986. 573 s. 4. Gerasimova I. A. Filosofskoe ponimanie tantsa // Voprosy filosofii. 1998. № 4. S. 50–62. 5. Kozlov V. V., Girshon A. E., Veremeenko N. I. Integrativnaya tantseval’no-dvigatel’naya terapiya: monogr. M., 2005. 286 s. 6. Konopleva N. A. Gendernye osnovaniya tvorcheskoi deyatel’nosti i cheloveka tvorcheskogo v kul’ture: avtoref. dis. … d-ra kul’turologii: 24.00.01. Vladivostok, 2012. 7. Lorka F. G. Izbrannye proizvedeniya: v 2 t. Т. 1. Stikhi. Teatr. Proza. T. 2. Duende, tema s variatsiyami. M., 1986. 407 s. 8. Maslou A. Psikhologiya bytiya. M.: Refl-buk, 1997. 304 s. 9. Matsumoto D. Psikhologiya i kul’tura. SPb.: Praim-EVROZNAK, 2002. 416 s. 10. Relich R. Shamanskii trans kak fenomen traditsionnoi kul’tury buryat: avtoref. dis. … kand. kul’turologii: 24.00.01. Ulan- Ude, 2012. 11. Rubinshtein S. L. Osnovy obshchei psikhologii. SPb.: Piter, 2002. 720 s. 13. Yung K. G. Psikhologiya bessoznatel’nogo. M.: Kogito-Tsentr, 2010. 352 s. 14. Yung K. G., Noimann E. Psikhoanaliz i iskusstvo. M.: Refl-book, K. Vakler, 1998. 304 s. 15. Diez P. D. Teoría y juego del duende de García Lorca: Una visión profunda de la creatividad // Creatividad y Sociedad. 2009. № 14. 16. Ellis H. The Dance of Life / H. Ellis. Boston, 1923. 377 p. 17. Goulet I. `Learning to Become Dancing Musicians: Flamenco Dancers Going Global [Elektronnyi resurs] /A Thesis in the Department of Sociology and Anthropology, Soncordia University. Montreal, Canada, 2007. 126 p. Mode of access. rezhim dostupa: http://spectrum.library.concordia.ca/975430/1/MR34439.pdf (data obrashcheniya: 14.11.2015). Istochniki 18. Golovin S. Yu. Slovar’ prakticheskogo psikhologa. Minsk: Kharvest, 1998. 105 s. 19. Zhmurov V. A. Bol’shaya entsiklopediya po psikhiatrii. M.: Dzhangar, 2012. 864 s. 20. Komlev N. G. Slovar’ inostrannykh slov. M.: Eksmo-Press, 2000. 1308 s. 21. Kratkii psikhologicheskii slovar’ / red.-sost. L. A. Karpenko. Rostov n/D.: Feniks, 1998. 512 s. 22.Tolkovyi slovar’ russkogo yazyka: v 4 t. / pod red. D. N. Ushakova. M.: Sov. entsikl.; Gos. izd-vo inostr. i nats. slov., 1935–1940. 23. Real Academia Española, Diccionario de la lengua española, 23.ª ed. Madrid, 2014.
Full articleStructural and Content Elements of “Duende” Phenomenon in Sociocultural Representation of a Spanish Flamenco Dance
0
0