| Annotation |
Having formulated the goal of the study – to consider the most popular types and forms of visualization of journalistic content using the example of coverage of tragic events, the author successively goes to its implementation. This can be done thanks to an integrated approach to the analysis of the visual content of journalistic materials: continuous sampling method; content analysis; description and generalization. The empirical basis of the study was journalistic materials containing information about a tragic event, accompanied by visual content, from such publications as Argumenty i Facty (AIF.ru), Izvestia (iz.ru), RIA Novosti (ria.ru), TASS (tass.ru). Concrete examples of the use of a visual image in the transmission of information, journalistic materials containing a visual media image are given and analyzed. The article consists of several interconnected parts, each of which is a logical continuation and complement of the previous one, thanks to the proposed structure, the reader can observe the dynamics of the development of the visual image in the media of communication – from general to particular – from the appearance of photography to a visual turn in culture (paragraphs “Photography as basis of total visualization” and “From a photo of a fact to a visual turn”) to create a visual media image (paragraph “Visualization in the media rations). The paragraph “Operational coverage of tragic events – visual content” is devoted to the analysis of the features of visual content during operational media coverage of tragic events. Two methods of visual representation of operational coverage of a tragic event are considered. It is noted that each of them reflects a visual image of a specific situation. As a result of the analysis, the author substantiates the advantages of using one or the visualization method, depending on the particular one prevailing in a situation. We conclude that comprehension of the visual media content of modern media in the categories of visual rotation provides a powerful ideological base for the analysis of media statements and opens up research prospects in a variety of directions. |
| References |
1. Bart, R. Camera lucida. Commentary on the photo. M.: Ad Marginem Press, 2011. (In Rus.)
2. Ben’yamin, V. A work of art in the era of its technical reproducibility. Selected Essays. M: Medium, 1996. (In Rus.)
3. Bodriiyar, Zh. Passwords. From fragment to fragment. Yekaterinburg: U-Faktoriya, 2006. (In Rus.)
4. Dzhei, M. Aesthetic and historical experience: a constellation of the 21st century. New literary review, no. 99, 2009. Web. 10.12.2019: http://magazines.russ.ru/nlo/2009/99/dz3.html. (In Rus.)
5. Drozdova, A. V. Specificity of visual research in modern humanitarian knowledge. Yaroslavl Pedagogical Bulletin, no. 3, pp. 254–259, 2015. (In Rus.)
6. Zagidullina, M. V. Key features of media aesthetics: mental-linguistic transformations. Chelyabinsk Humanities, no. 2, pp. 46–52, 2016. (In Rus.)
7. The use of visualizations for storytelling and the creation of materials. Data Journalism Handbook. Web. 08.12.2019: https:web.archive.org/web/20180607161601/https://ria.ru/files/book/_site/index.html. (In Rus.)
8. Ishchenko, E. N. “A visual turn” in modern culture: experiments of philosophical reflection. Bulletin of the Voronezh State University. Ser. Philosophy, no. 2, pp. 16–27, 2016. (In Rus.)
9. Lotman, Yu. M. Semiotics of cinema and the problems of cinema aesthetics. On art. St. Petersburg: Iskusstvo-SPB, pp. 87–372, 1998. (In Rus.)
10. McLuhan, M. Gutenberg Galaxy: The Creation of Human Print Culture. Kiev: Nika-Tsentr, 2004. (In Rus.)
11. McLuhan, M. Understanding Media: Human External Extensions; per. from English V. Nikolaev; bookmark Art. M. Vavilova. M.; Zhukovskii: KANON-press-TS, Kuchkovo polE, 2003. (In Rus.)
12. Mukhamatgaliev, D. N. The principle of visualization in journalism. Bulletin of the Chuvash State University, no. 2, p. 159–163, 2011. (In Rus.)
13. Svitich, A. L. Graphic illustration as a visual component of the content of high-quality publications. Cand. ped. sci. diss. abstr. M., 2016. (In Rus.)
14. Simakova, S. I. Infographics – the philosophy of perception. Journalistic text in a new technological environment: achievements and problems: collection. materials III conf. PMMIS (Post mass media in the modern informational society), Chelyabinsk, March 28–29, 2019 / Ed. ed. M. V. Zagidullina. Chelyabinsk : Izd-vo Chelyab. gos. un-ta, 2019: 299–302. (In Rus.)
15. Simakova, S. I. Infographics in the context of posthumanistic trends in journalism. Bulletin of the Voronezh State University: scientific journal. Voronezh, no. 3, pp. 127–131, 2019. (In Rus.)
16. Simakova, S. I. The media dimension of the Kemerovo tragedy in the context of theories of visual rotation (using the AiF website as an example). Advertising and public relations: traditions and innovations: materials of the Sixth International Scientific and Practical Conference (September 13–14 2018): at 2 p. m. Part 1 / editorial: A. N. Guda (previous) [et al.]. Rostov-na-Donu: FGBOU VO RGUPS, 2018: 79–90. (In Rus.)
17. Simakova, S. I., Fedotovskii, V. V. Infographics: past, present, future. Sign: problematic field of media education, no. 3, pp. 13–25, 2016. (In Rus.)
18. Toffler, E. Third wave. M: Izdatel’stvo ACT, 1999. (In Rus.)
19. Chubar’, P. I. Visual and medial turns through the prism of understanding of modern culture. Youth Herald of the St. Petersburg State Institute of Culture: Sat. Art. graduate students, undergraduates, students. Appendix to the scientific journal “Bulletin of St. Petersburg State University of Economics”. SPb: SPBGIK, no. 1, pp. 5–7, 2016. (In Rus.)
20. Shevchenko, V. E. Visual content as a trend in modern journalism. Mediascope: electron. journal. Issue 4, 2014. Web. 08.12.2019: http://www.mediascope.ru/node/1654. (In Rus.)
21. Mitchell, William J. T. Image science: iconology, visual culture, and media aesthetics. The University of Chicago Press. 2015. (In Engl.)
22. Topchii, I. Comprehensive analysis of the mass media visual component in the aspect of media aesthetics. TEEM’18. Proceedings of the Sixth International Conference on Technological Ecosystems for Enhancing Multiculturality, Salamanca, Spain. October 24–26, 2018: 546–552. (In Engl.)
23. Zettl, H. Sight Sound Motion: Applied Media Aesthetics, Sixth Edition. Wadsworth Cengage Learning, Boston. 2011. (In Engl.) |
