| Article | |
|---|---|
| Article name | Modern Dance in the Digital Space: A Screen Dance in the Context of the COVID-19 Pandemic |
| Authors | Schultz D.V. Postgraduate Student, dianadm@mail.ru |
| Bibliographic description | Schultz D. V. Modern Dance in the Digital Space: A Screen Dance in the Context of the COVID-19 Pandemic // Humanitarian Vector. 2021. Vol. 16, No. 2. PP. 97–102. DOI: 10.21209/1996-7853-2021-16-2-97-102. |
| Section | AXIOLOGY OF CULTURE |
| UDK | 7.011.3 |
| DOI | 10.21209/1996-7853-2021-16-2-97-102 |
| Article type | |
| Annotation | Modern dance is developing in the face of new threats and opportunities. Like any other social phenomenon, it is affected by external conditions that can affect its content, development and forms. The COVID-19 pandemic has become the most global condition in recent times, the impact of which has become tangible for all spheres of society. Like other branches of art, Contemporary Dance was put into new conditions, which led not only to negative consequences but also caused a surge in the use of information technologies to bring the results of creative research to the viewer. It was the pandemic conditions that contributed to the intensive development of new forms of interaction between the professional choreographic community and the new stage of the development of the screen dance as one of the forms of Contemporary Dance. The article is devoted to the impact of the restrictive conditions of the pandemic on the development of contemporary dance and its form such as a screen dance. We analyzed the few available approaches to determining the essence of a screen dancer, as well as the experience of choreographers in creating dance performances in conditions of self-isolation. The research is based on the analysis of the scientific literature covering problems of development of modern dance and screen dance in the conditions of COVID-19 pandemic. We concluded that representatives of the professional community of choreographers were able to use the conditions of self-isolation to implement new creative ideas, and the screen dance became more popular. |
| Key words | contemporary dance, screen dance, digital space, pandemic |
| Article information | |
| References | 1. McPherson, K. Watch Films, Watch Dance Films, Watch More Dance Films. International Journal of Screendance, no. 6, рр. 153–165, 2016. (In Eng.) 2. NRA Candra, D. A., Nur Rokhim, Ranang AS, and Muji Soewasta Moving Video Camera Base on Expression Dancer Move and Kinesphere. Advances in Economics, Business and Management Research (AEBMR), no. 41, рр. 216–222, 2018. (In Eng.) 3. De Marigny, C. Dance for and on Television. Dance Theatre Journal, no. 6, рр. 2–3, 1988. (In Eng.) 4. Pritchard, J. Movement on the Silent Screen. Dance Theatre Journal, no. 12, рр. 26–30, 1995. (In Eng.) 5. Schmidt, J. Exploitation or Symbiosis? On the Contradictions Between Dance and Video. Ballet International, no. 14, рр. 97–99, 1991. (In Eng.) 6. Dodds, Sh. Dance on Screen: Genres and Media from Hollywood to Experimental Art. Hampshire. Basingstoke: Palgrave Macmillan, 2001. (In Eng.) 7. Kloetzel, M. Bodies in Place: Location as Collaborator in Dance Film. International Journal of Performance Arts and Digital Media, no. 1, рр. 1–24, 2014. (In Eng.) 8. Hoffmann, F. D. Exploring the Body–Landscape Relationship Through Dance Film. Nordic Journal of Dance, no. 11, рр. 28–36, 2020. (In Eng.) 9. Zahavi, D. Empathy and Mirroring: Husserl and Gallese. Life, Subjectivity & Art. Phaenomenologica, edited by Roland Breeur and Ullrich Melle, Vol. 201. 2011: 217–254. (In Eng.) 10. Kiseeva, E. V. Stages of formation and development of postmodern dance in the second half of XX – beginning of XXI century. South-Russian musical anthology: the scientific journal, no. 2, рр. 88–96, 2014. (In Rus.) 11. Dolan, J. Performance, Utopia, and the “Utopian performative”. Theatre Journal, no. 53, рр. 455–479, 2001. (In Eng.) 12. Kellner, D. Media Culture. London: Routledge, 1995. (In Eng.) 13. Finn J., Somdahl-Sands, K. Media, performance, and past presents: authenticity in the digital age. GeoJournal, no. 80, рр. 811–819, 2015. (In Eng.) 14. Kuznetsova, T. “Ballet Moscow” presented the online performance “Goodbye, old World!”. Kommersant, no. 97, рр. 8–9, 2020. (In Rus.) 15. Barnes, C., Livet, A. (Eds.). Contemporary dance. New York: Abbevill Press, 1985. (In Eng.) |
| Full article | Modern Dance in the Digital Space: A Screen Dance in the Context of the COVID-19 Pandemic |
| 0 | |
| 0 | |
