Annotation |
The Evenki are a small ethnic group living in Russia and China, which has preserved its traditional culture
and rituals. The “Evenk theme” has become a significant phenomenon in modern Chinese literature and has
contributed to ethnographic studies of Evenk culture. The relevance of the study is due to the interest of modern
literary criticism in various artistic projections of imagological methodology through the prism of ethnic cultures,
as well as the attention of modern Chinese writers to the life of small nationalities. The aim of the study was the
imagological analysis of the image of the self-perception of the Evenki in the artistic ethnography of the Evenk
writer Uzhertu. The research is based on the methodological developments in the field of artistic ethnography,
as well as imagological studies of cultural images and artistic images of perception in literature. The principle
of attracting and using ethnographic material is based on the works by Russian ethnographers. During the
research, the stories of Uzhertu were analyzed. The image of the Evenk in his works is given from the point of
view of self-perception. At the same time, it is emphasized that despite the positive qualities, the Evenk nation is
weak and small in number, dissolving in the Han culture under the influence of globalization, modernization, and
developing economy. As a representative of an ancient ethnos, faced with the impact of modern civilization, with
each new stage of creativity, Uzhertu became more and more aware of his responsibility to his people, trying
to fix and preserve its unique culture in an artistic form. In the “Evenk” works by Uzhertu, the main typological
techniques of artistic ethnography were captured: the creation of images of perception of a foreign culture (Han)
and images of perception, the imprinting of traditional religious ideas and a mythological picture of the world, a
description of household and trade customs and rituals. Uzhertu sadly records the processes of enveloping the
Evenks, their dissolution in the Han culture and everyday life. |
References |
1. Sej, In’. Shamanism in Northeast Asia. Pekin: Kitajskoeobshh. nauch. izd-vo, 1998. (In Chin.)
2. Oshchepkov, A. R. Imagology. Knowledge. Understanding. Skill, no. 1, pp. 251–253, 2010. (In Rus.)
3. Polyakov, O. Yu. Principles of Cultural Imagology by Daniel-Henri Pazho. Philology and Culture, no. 2,
pp. 181–184, 2013. (In Rus.)
4. Zabiyako, A. A., Senina E. V. The artistic image of the perception of a foreign culture as a category of
imagopoetics. Social and human sciences in the Far East, vol. XVIII, no. 1, pp. 166–171, 2021. (In Rus.)5. Pazho, D. A. From Cultural Image to Collective Imagination. Pekin: Izd-vo Pekinskogo un-ta, 2001. (In
Chin.)
6. Zabiyako, A. A., Senina, E. V. Images of the Perception of China and the Chinese in the Soviet Literature
and Journalism of the 1920s-1940s. Rossica Olomucensia, no. 1, vol. LVIII, pp. 67–86, 2019. (In Rus.)
7. Zabiyako, Anna A. Images of the Russian Literary Ethnography of Manchuria in the First Half of the 20th
Century. Aoyama Journal of International Studies, no. 8, pp. 61–78, 2021. (In Engl.)
8. Chzhao,Jan’hua, Baoin’. Study of Evenk Literature. Pekin: Narodnoe izd-vo, 2013. (In Chin.)
9. Ljuj, Guantjan. Study of primitive social forms of northern peoples. In’chuan’: Narodnoe izd-vo Ninsja,
1981. (In Chin.)
10. Li, Dezhu. A brief history of the Evenks. Pekin: Natsionalnyi izdatel’skiy dom, 1986. (In Chin.).
11. Cju, Puj. Research on shamanism. Shanhai: Shankhaiskoe narodnoe izd-vo, 1985. (In Chin.)
12. U, Binan. The mysterious world of shamans. Shankhai: Shankhaiskiy knizhnyi magazin, 1990. (In Chin.)
13. Mandu, Jertu, Chao Kje, Van Lichzhjen’. Evenk shamanism. Central National University Bulletin, no. 6,
pp. 21–25, 2000. (In Chin.)
14. Mjen, Hujejin. A study of the shamanism of the northern ethnos of China. Pekin: Kitaiskoe obshhestvennoe
nauchnoe izd-vo, 2000. (In Chin.)
15. Shi, Lugo (Shirokogorov S. M.) Social organization of the Northern Tungus. Huh-hoto: Narodnoe izd-vo
Vnutrennei Mongolii, 1984. (In Chin.)
16. Vasilevich, G. M. Evenki. Historical and ethnographic essays (XVIII – early XX centuries). L: Nauka,
1969. (In Rus.)
17. Zabiyako, A. P., Kobyzov, R. A., Mazin, A. I. Shamanism of the Evenks of the Amur region and South
Yakutia (current state). In Traditional culture of the East of Asia. Blagoveshchensk: Amur State University, 2002:
304–309. (In Rus.)
18. Zabiyako, A. A. Material and spiritual culture of the Evenki in the artistic ethnography of Amur writers.
Philological regionalistics, no. 1, pp. 12–31, 2012. (In Rus.)
19. Tun, Cinbi’. Children’s experience of the writer and its influence on creativity. Literature review, no. 4,
pp. 3–7, 1993. (In Chin.)
20. Zabiyako, A. A. Folklore of the Russian population of the Three Rivers as a way of preserving ethnicity.
In Russian Three Rivers: the basics of preserving ethnic identity. Novosibirsk: IAET SO RAN, 2017: 210–252.
(In Rus.)
21. Bao, Gujmen. Yesterday’s hunter: a dialogue with the Evenk writer Uzhertu. Chinese nation, no. 12,
pp. 16–19, 2007. (In Chin.)
22. Zabiyako, A. A., Senina E. V. Images of the Perception of Russian Emigrants in Chinese Literature of
the 1920s-1940s. Emigrantologia Slowian, no. 2, pp. 19–32, 2016. (In Rus.)
23. Zabiyako, A. P., Anikhovsky, S. E., Voronkova, E. A., Zabiyako, A. A., Kobyzov, R. A. Evenki Priamurye:
a reindeer trail of history and culture. Blagoveshchensk: Odeon, 2012. (In Rus.)
24. Kong, Fanzhi. Ancient peoples of the Evenki Aolu. Tjan’czin’: Izdatel’stvo drevnikh knigTjan’czinja,
1989. (In Chin.) |