| Article | |
|---|---|
| Article name | Dance as a Corporality Phenomenon on the Example of Flamenco Spanish Dance |
| Authors | Kucherenko A.L. Postgraduate Student,, anasta-leon@mail.ruKonopleva N.A. Doctor of Culturology, Professor, nika.konopleva@gmail.com |
| Bibliographic description | Kucherenko A. L., Konopleva N. A. Dance as a Corporality Phenomenon on the Example of Flamenco Spanish Dance // Humanitarian Vector. 2018. Vol. 13, No. 3. PP. 168–175. DOI: 10/21209/1996-7853-2018-13-3-168-175 |
| Section | CULTURE AND SOCIETY |
| UDK | 008: 793.31(460) |
| DOI | 10/21209/1996-7853-2018-13-3-168-175 |
| Article type | |
| Annotation | The given article reviews dance in terms of corporality, paying special attention to the rhythm and plastic representations of corporality in the Spanish flamenco dance. It is stated that corporality is an integral unity of physical representation and inwardness of a personality which is the most vividly expressed in dancing. The author admits that a modern trend of the Dance Movement Therapy is aimed at reaching a harmonious integrity of physical and spiritual sides of a personality. Spanish flamenco dance is viewed as a mean of psychological relaxation and a form of physical shape maintaining, highlighting a therapeutic effect of this dance. Certain rhythm and plastic features of flamenco dance and their corresponding symbolic meanings are considered in the article. The author analyzes spiritual aspect of flamenco dance – its “duende” phenomenon which was deeply analyzed in the previous publication. The article reveals semiotic meaning of corporal representation of the specific “duende” elements in flamenco dance. Thus, imagination, inspiration, emotional give, improvisation and trans, being integral parts of the “duende” phenomenon, have their corresponding choreographic representation expressed as certain postures, gestures, face mimics, etc. The above-mentioned elements also correlate to the basic functions of the flamenco dance, fostering development of certain skills of a performer. A special attention in the article is given to the function of fitness and therapeutic effect emerging from practicing flamenco dance. |
| Key words | Spanish flamenco dance, corporality, “duende” phenomenon elements, physical shape maintaining, sapateado, corporal plastic, Dance Movement Therapy |
| Article information | |
| References | 1. Grenlund, E., Oganesyan, N. Dance therapy. Theory, methodology, practice. St. Petersburg: Rech’, 2004. (In Rus.) 2. Zhilenko, M. N. Dance as a form of communication in the sociocultural space. Cand. sci. diss. Moscow, 2000. (In Rus.) 3. Claramunt, A. P. The art of flamenco dance. Moscow: Art, 1984. (In Rus.) 4. Kozlov, V. V., Girshon, A. E., and Veremeenko N. I. Integral dance-motion therapy. M: Rech’, 2005. (In Rus.) 5. Krasovskaya, V. М. The history of Russian ballet. St. Petersburg: EHksmo, 2010. (In Rus.) 6. Kucherenko, A. L. Principles of practical use of Spanish flamenco dance. Vestnik VGUES “Territory of new opportunities”, no. 1, vol. 9, pp. 246–253, 2017. (In Rus.) 7. Nemtseva, A. V. To the question of the socio-philosophical aspect of corporality. The contribution of Siberia to the cultural space of Russia. Proceedings of the All-Russian Conference on culturology. Irkutsk: Publishing House of IrSTU, 2009: 58–61. (In Rus.) 8. Nikitin, V. Yu. Dance as a sociocultural phenomenon. Three faces of Terpsichore. Bulletin of MGUKI, no. 6 (62), pp. 292–298, 2014. (In Rus.) 9. Lowen, A. Bioenergetics: Per. with English. St. Petersburg: Juventa, 1998. (In Rus.) 10. Stanislavsky, K. S. The actor’s inner work in the creative process of acting. Diary of the student. St. Petersburg: Prajm-Evroznak, 2008. (In Rus.) 11. Barrio, A. A. El baile flamenco. Lib Deportivas Esteban Sanz, 1998. (In Engl.) 12. Cuellar-Moreno, M. Flamenco Dance. Characteristics, resources and reflections on its evolution. Cogent Arts & Humanities, no. 3, 2016. Web.20.12.2017. https://www. doi.org/10.1080/23311983.2016.1260825 (In Engl.) 13. Edwards, G. Flamenco! New York: Thames & Hudson, 2006. (In Engl.) 14. Goulet, I. Learning to Become Dancing Musicians: Flamenco Dancers Going Global. A Thesis in the Department of Sociology and Anthropology, Сoncordia University. Montreal, Canada, 2007. (In Engl.) 15. Laban, R. von. Der Moderne Ausdruckstanz in der Erziehung. Eine Einführung in die kreative tänzerische Bewegung als Mittel zur Entfaltung der Persönlichkeit. Wilhelmshaven, 2001. (In Engl.) |
| Full article | Dance as a Corporality Phenomenon on the Example of Flamenco Spanish Dance |
| 0 | |
| 18 | |
