| Article | |
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| Article name | Reconstruction of Aesthetic and Poetic Meanings in Translation Based on Bilingual Interactivity |
| Authors | Zhao Xiaobing .. Doctor of Literature, Assistant Professor, pzhhzxb@tom.comWang Ying-li .. Doctor of Literature, fengyusha2005@163.com, |
| Bibliographic description | Zhao Xiao-bing, Wang Ying-li. Reconstruction of Aesthetic and Poetic Meanings in Translation Based on Bilingual Interactivity // Humanitarian Vector. 2019. Vol. 14, No. 1. PP. 93–99. DOI: 10.21209/1996-7853-2019-14-1-93-99. |
| Section | THE GLASS BEAD GAME: HIDDEN MEANINGS OF THE TEXT |
| UDK | 81’25 |
| DOI | 10.21209/1996-7853-2019-14-1-93-99 |
| Article type | |
| Annotation | Bilingual interactivity is mutual comparison of two linguistic systems, their functioning and reconstruction of features actualized in the process of translation. Bilingualism is the basis for translation. The source language and the target language are mutually influenced to form the translation. The meaning reconstruction of the source language text is principle, but the target language also participates in the meaning reconstruction of the translated text to a certain extent. Poetry translation is the reconstruction of aesthetic poetic meanings based on bilingual mutual reference. We translated two Russian poems by Bulat Okudzhava into Chinese and a Chinese poem by Bian Zhilin as an example trying to conduct poetry exploration. The textual meanings (word meaning, sentence meaning, even text meaning), artistic conception (image cluster) and rhythm beauty of translated poetry are all related to the meaning reconstruction. Bilingual mutual reference is the translator’s method of bilingual comparison with the source and target languages to achieve the exact translation, which means that the translation is the result of bilingualism and mutual interaction reconstruction. Although the translation is to keep the meaning system from the original text, but because of the bilingual difference there must be the meaning elements of the target language integrated into the translation, and the translation variation occurs. Sometimes translation has become a creation, which is not only by the translator but also for the symbiosis of bilingual mutual reference. In addition to the translator’s innovation and the re-creation of images and artistic conception reconstruction, bilingual participation in the translation plays a role in the creativity and the poetic function of the languages themselves. |
| Key words | poetry translation, representation of images, re-creation of artistic conception, poetry rhythm and beat, bilingual co-reference |
| Article information | |
| References | 1. Gachev, G. Okudzhava style and his songs style. “The Worlds of Bulat Okudzhava”, M: Salt, 2007: 32–39. (In Rus.) 2. Komissarov, V. N. The Linguistic of Translation. M: International Relationships, 2016. (In Rus.) 3. Kyakshto, N. “Moscow text” in the poetry by Bulat Okudzhava. Proceedings of the 3rd International Conference. The Worlds of Bulat Okudzhava. M: Salt, 2007: 128–135. (In Rus.) 4. Oskotsky, V. D. Bulad Okudzhava – a translator (From observations. Notes). Proceedings of the 3rd International Conference. The Worlds of Bulat Okudzhava. M: Salt, 2007: 13–23. (In Rus.) 5. Tchaikovsky, R. “The Unfamiliar Handwriting of the Branches ...” (West in the poetic reception of Bulat Okudzhava). Proceedings of the 3rd International Conference. The Worlds of Bulat Okudzhava. M: Salt, 2007: 186–189. (In Rus.) 6. Tchaikovsky, R. R. “Bulat Okudzhava as a translator of poetry (about one translation of Bulat Okudzhava from the Ukrainian language)” Vestnik of MGOU. Series Linguistics, no. 3, pp. 150–158, 2014. (In Rus.) 7. Jacobson, R. O. On the linguistic aspects of translation. Questions of translation theory in foreign linguistics. M: 1978: 16–24. (In Rus.) 8. Chen Dongcheng. Da Yi Translation studies. Beijing: China Social Sciences Press, 2016. (In Chinese) 9. Gvozdev, A. N. An introduction to the Russian stylistics, the translators. Li Shangqian and Zhao Lingsheng, Beijing: Commercial Press, 1982. (In Chinese) 10. Wang Guowei. Poetic Remarks on the Human Word. Beijing: China Speech Publishing Press, 2014. (In Chinese) 11. Wang Li. A Brief Discussion on the Beauty of Language Forms. College Chinese. Xing Fuyi, editor. Beijing: Renmin University Press of China, 2009: 224–232. (In Chinese) 12. Wang Li. The rhythm of poetry. Zhonghua Book Company, 2010. (In Chinese) 13. Zhao Xiaobing. The role of bilingual mutual participation in the translation of Russian poetry into Chinese [J]. Chinese translation, no. 1, pp. 104–110, 2018. (In Chinese) 14. Zhao Xiaobing. Translation studies of meaning reconstruction on base of Russian-Chinese mutual co-reference. China: Social Sciences Press, 2018. (In Chinese) |
| Full article | Reconstruction of Aesthetic and Poetic Meanings in Translation Based on Bilingual Interactivity |
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