| Article | |
|---|---|
| Article name | Intonation Feature of Terminality in the Vocal Form of a Language (The Case of Russian and German Children’s Songs) |
| Authors | Petrochenko E.V.Candidate of Philology, Associate Professor petrocenko@mail.ruBlinova M.A.Graduate Student blinovamari@gmail.com |
| Bibliographic description | |
| Section | |
| DOI | |
| UDK | 811.112.2’34 |
| Article type | |
| Annotation | The article considers the issue of studying vocal music intonation features. There is still little linguistic research into correlation between melodic structure in music and intonation system of a language. This is an interdisciplinary issue, involving the theory of language, intonation studies and the theory of music. The article provides argumentation for the term “vocal form of a language” and presents analysis of intonation feature of terminality in children’s songs (in Russian and German). The paper follows phonological approach to intonation studies, which means defining distinctive and integral relevant features of tone units. These units are referred to as intonemes, in the language system and measure patterns in the system of musical modes. The case study proved that the terminality features expressed in the vocal forms of the two languages do not fully correlate phonologically. The difference concerns localization of the intonation terminality feature: in case of the Russian language, the maximal pitch occurs in the final cadence with the IVth or IIIrd modal degree. In German, “elliptic” variation of terminality feature has been found in the middle vocal cadences; the accented syllable pitch is involved in the zone of approximate modal stability on the Vth or IIIrd degree and thus takes part in intonation terminality feature realization. The structural analysis of vocal music presented in this article provides evidence for intonological level in the vocal form of language. |
| Key words | intonology, vocal form of a language, intonation units, distinctive feature, phonological approach to intonation studies, phonetic analysis |
| Article information | |
| References | 1. Asaf’ev B. V. Muzykal’naya forma kak protsess. L.: Muzgiz, 1963. Kn. 1, 2. 379 s. 2. Blokhina L. P. Intonatsionnyi aspekt bilingvizma (na materiale nemetskogo i russkogo yazykov) // Aktual’nye voprosy intonatsii: sb. nauch. tr. M.: Un-t druzhby narodov, 1984. S. 1–96. 3. Bogoroditskii V. A. Ocherki po yazykovedeniyu i russkomu yazyku. M.: Izd-vo NARKOMPROSA RSFSR, 1939. 224 s. 4. Velichkova L. V. Kontrastivno-fonologicheskii analiz i obuchenie inoyazychnomu proiznosheniyu. Voronezh: Izd-vo Voronezh. gos. un-ta, 1989. 198 s. 5. Druskin M. S. Voprosy muzykal’noi dramaturgii opery (na materiale klassicheskogo naslediya). M.: Muzgiz, 1952. 344 s. 6. Il’inov Yu. M. Foneticheskie kharakteristiki vokal’noi rechi: avtoref. dis. … kand. filol. nauk: 10.02.01. Volgograd, 2007. 22 s. 7. Morozov V. P. Tainy vokal’noi rechi. L.: Nauka, 1967. 204 s. 8. Muzykal’naya akustika / N. A. Garbuzov [i dr.]. M.: Muzgiz, 1954. 236 s. 9. Petrochenko E. V. Vokal’naya forma v obuchenii nerodnomu yazyku // Izv. Voronezh. ped. un-ta. Voronezh, 1999. T. 249. S. 76–80. 10. Petrochenko E. V. Kharakteristika intonatsionnykh edinits yazyka po ikh sootnesennosti s muzykal’noladovoi strukturoi (na materiale russkogo i nemetskogo yazykov): dis. … kand. filol. nauk: 10.02.01. Voronezh, 2001. 231 s. 11. Petrochenko E. V. Intonatsionnye parametry vokal’noi formy yazyka: issledovanie na materiale russkoi i nemetskoi i nemetskoi narodnoi pesni // Vestn. Voronezh. gos. un-ta. Ser. Lingvistika i mezhkul’turnaya kommunikatsiya. Voronezh, 2015. № 1. S. 115–120. 12. Petryankina V. I. Funktsional’no-semanticheskii aspekt intonatsii. M.: Izd-vo Un-ta druzhby narodov, 1988. 192 s. 13. Saitanova N. I. Nekotorye ritmicheskie sootnosheniya notnoi zapisi vokal’noi rechi i ee ispolneniya // Issledovaniya po strukturnoi i prikladnoi lingvistike: sb. nauch. tr. M.: Izd-vo Mosk. un-ta, 1975. S. 159–168. 14. Kharlap M. G. Narodno-russkaya muzykal’naya sistema i problema proiskhozhdeniya muzyki // Rannie formy iskusstva. M.: Iskusstvo, 1972. 274 s. 15. Cheremisina N. V. Russkaya intonatsiya: poeziya, proza, razgovornaya rech’. M.: Rus. yaz., 1989. 240 s. 16. Shcheka Yu. V. Garmonema i taktema kak intonologicheskie edinitsy i ikh osobennosti v turetskoi razgovornoi rechi // Vopr. yazykoznaniya. 1989. № 5. S. 57–69. 17. Fónagy J., Magnics K. Emotional patterns in intonation and music // Zeitschrift für phonetic, Sprachwissenschaft und Kommunikationsforschung, Bd. 16. Berlin, 1963. S. 337– 370. 18. Meinhold G., Stock E. Phonologie der deutschen Gegenwartssprachen. Leipzig: VEB Bibliografisches Institut. 1982. 256 S. 19. Patel A. D., Iversen J. R., Rosenberg J. C. Comparing the rhythm and melody of speech and music // The case of British English and French: Journal of the Acoustical Society of America, 2006. S. 119, 3034–3047. 20. Petročenko E. Vokalstück als eine Textsorte phonostilistisch geprägt // Klangsprache im Fremdsprachenunterricht. Forschung und Praxis: сб. науч. тр. Воронеж: Воронеж. гос. ун-т, 2007. Вып. 4. С. 64–75. 21. Petročenko E. Intonatorische Grundeinheiten in der Gesangsform (eine Untersuchung am Material des russischen Volksliedes) // Klangsprache im Fremdsprachenunterricht. Forschung und Praxis: сб. науч. тр. Воро- неж: Воронеж. гос. ун-т, 2011. Вып. 6. С. 54–66. 22. Seidner W., Wendler J. Die Sängerstimme. Phoniatrische Grundlagen des Gesangs. Berlin: Henschelverlag, 1978. 215 S. 23. Stock E., Veličkova L. Sprechrhythmus im Deutschen und Russischen. Frankfurt am Main [et al.]: Peter Lang Verlag, 2002. 260 S. |
| Full article | Intonation Feature of Terminality in the Vocal Form of a Language (The Case of Russian and German Children’s Songs) |
