| Article | |
|---|---|
| Article name | “Time of the Barbarians”: The Phenomenon of Barbarism in the Film Brother 2 by Aleksey Balabanov |
| Authors | Tretyakov E.O. Candidate of Philology, Associate Professor, shvarcengopf@mail.ru |
| Bibliographic description | Tretyakov E. O. “Time of the Barbarians”: The Phenomenon of Barbarism in the Film Brother 2 by Aleksey Balabanov // Humanitarian Vector. 2021. Vol. 16, No. 4. PP. 179–188. DOI: 10.21209/1996-7853-2021-16-4- 179-188. |
| Section | REVIEWS |
| UDK | 791.43-2 |
| DOI | 10.21209/1996-7853-2021-16-4-179-188 |
| Article type | |
| Annotation | This article presents a look at Aleksey Balabanov’s program film Brother 2 (2000). The hero is the embodiment of the concept of “new barbarism”. The research methodology includes structural-semiotic, mythopoetic and motivational aspects of the analysis of the work of cinematography. Political and ethical meanings were revealed in the image of Danila Bagrov, but the research carried out clearly shows the features of a barbarian in him. Like the creator of Conan the Barbarian Robert Howard, Aleksey Balabanov states that it is the barbarian who is the hero of the current era. In a world that has “moved from its place”, this “new barbarian” brings unbending will and his own rigid moral guidelines. But if in the first film Brother barbarism looks advantageous, combining strength and ethics – even if insight does not occur, and the barbarian goes to conquer new lands, then in the second film of the diptych the hero goes through violence as usual, with cynicism. Formally, he wins, but existentially he fails. Therefore, the mighty force of the “new barbarian” manifests itself locally, in small ways and is realized in private confrontations. There is no worthy test for Bagrov’s heroism, because the world does not correspond to its scale, and therefore the hero is restless – the truly barbaric fullness of vitality does not protect against existential fear. The discrepancy between the attitudes of the barbarian hero and the position of the intellectual director unmasks the author’s alienation from the principles and common truths of the character and complicates the film with dramatic connotations. |
| Key words | Aleksey Balabanov, Brother 2, phenomenon of barbarism, existentialism, post- and-decolonial thought |
| Article information | |
| References | 1. Huizinga, J. Homo Ludens. In the shadow of tomorrow. Moscow: Progress; Progress-Academy, 1992. (In Rus.) 2. Kostrikov, K. N. The phenomenon of transition in the development of artistic culture. Dr. philos. sci. diss. Moscow, 2005. (In Rus.) 3. Clausen, L. Barbarei und Eisenstadt. In Modenität und Barbarei: soziologische Zeitdiagnose am Ende des 20. Jahrhunderts. Frankfurt am Main, 1996: 130–136. (In Germ.) 4. Motroshilova, N. V. Civilization and barbarism in the era of global crises. Moscow: IFRAN: Canon +: Rehabilitation, 2010. (In Rus.) 5. Kara-Murza, A. A. “New barbarism” as a problem of Russian civilization. Moscow: IFRAN, 1995. (In Rus.) 6. Toporov, V. N. Petersburg text of Russian literature. Saint Petersburg: Art-SPb., 2003. (In Rus.) 7. Lotman, Yu. M. The symbolism of St. Petersburg and the problems of the semiotics of the city. In Works on sign systems: Semiotics of the city and urban culture. Vol. XVIII. Tartu, 1984: 30–45. (In Rus.) 8. Tlostanova, M. The Postcolonial Condition and the Decolonial Option: a Postsocialist Meditation. New Literary Review, no. 1, pp. 66–84, 2020. (In Rus.) 9. Spivak, G.Ch. Can the Subaltern Speak? In Marxism and the Interpretation of Culture. Chicago, 1988: 271–313. (In Engl.) 10. Offe, C. Moderne “Barbarei”: Der Naturzustand im Kleinformat? In Modenität und Barbarei: soziologische Zeitdiagnose am Ende des 20. Jahrhunderts. Frankfurt am Main, 1996: 258–289. (In Germ.) 11. Giesen, B. Die Struktur des Barbarischen. In Modenität und Barbarei: soziologische Zeitdiagnose am Ende des 20. Jahrhunderts. Frankfurt am Main, 1996: 118–129. (In Germ.) 12. Kantor, V. K. Between arbitrariness and freedom: On the question of the Russian mentality. Moscow: RUSSPEN, 2007. (In Rus.) 13. Dilaktorskaya, O. G. The artistic world of St. Petersburg stories by N. V. Gogol. In Gogol, N. V. Petersburg stories. Saint Petersburg: Nauka, 1995: 207–257. (In Rus.) 14. Kierkegaard, S. Fear and Awe. Moscow: Republic, 1993. (In Rus.) 15. Schopenhauer, A. Collected Works. In 5 v. V. 1. Moscow: Moscow club, 1992. (In Rus.) |
| Full article | “Time of the Barbarians”: The Phenomenon of Barbarism in the Film Brother 2 by Aleksey Balabanov |
| 0 | |
| 23 | |
