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| Article name | Traditional Crafts of Eastern Siberia and Modern Art Culture as a Source of Creative Industries Development (on the Basis of Comparative Analysis of the Russian Ethnography Museum Exhibits and the Namdakovs’ Author Dolls) |
| Authors | Gomboeva M.I. Doctor of Culturology, Professor, m.i.gomboeva@gmail.comFedorova M.V. Leading Researcher, fedorovarme@mail.ruKomarova N.P. Candidate of Art History, Research Worker, komarovanp@bk.ru |
| Bibliographic description | Gomboeva M. I., Fedorova M. V., Komarova N. P. Traditional Crafts of Eastern Siberia and Modern Art Culture as a Source of Creative Industries Development (on the Basis of Comparative Analysis of the Russian Ethnography Museum Exhibits and the Namdakovs’ Author Doll) // Humanitarian Vector. 2018. Vol. 13, No. 6. PP. 128–140. DOI: 10/21209/1996-7853-2018-13-6-128-140. |
| Section | ORIENTAL STUDIES |
| UDK | 745.5(571.5) |
| DOI | 10/21209/1996-7853-2018-13-6-128-140 |
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| Annotation | The main research problems for the authors studying modern art culture related to the traditional crafts are identification of historical context as a condition of finding historical background, historical and cultural continuity, comparative analysis of formal and compositional, plot and sense aspects of creative work, traditional semantics and its enrichment with modern meanings. There is a particular focus on modern language of plastic arts. Taking the example of art dolls’ exposure, we show that establishing of family art workshops as sources of creative industry in the creative work of some Siberian artists and sculptors (Dashi Namdakov, Zhigzhit Bayaskhalanov, Zorigto Dorzhiev, et al.) relate to persistent craftsmanship traditions and their daring renewals today. The results of the studies conducted, numerous joint exhibitions with the fund museum collections allowed us to make a conclusion: creative work of famous artists is a bright transformation of artistic traditions of the East based on the past craft traditions, principles of modern creative industries, energy of folk art in professional sphere by means of effective motivational creativity institutions. We used the methods of historical generalization, comparative analysis, a biography method, a method of artistic stylization of creativity. Generalization of historical and cultural continuity of craft traditions and artistic achievements was made on the basis of disciplinary generalization of the results of art history analysis, museum cataloging and attribution, as well as philosophical and culturological reflection of conditions and factors of continuity and renewal of traditions. |
| Key words | traditional crafts, historical and cultural continuity, artistic traditions, arts and crafts, art workshop, creative industries, plastic arts |
| Article information | |
| References | 1. Gomboeva, M. I. The Phenomenon of the Namdakovs’ Family // Catalog of the “Ulger” Exhibition in the Russian Museum of Ethnography. SPb.: REHM, 2018: 14–16. (In Rus.) 2. Komarova, N. P. Dashi Namdakov: Immersion in the Archaic. Proceedings of Scientific and Practical All-Russian Conference with international participation. June 26–30, 2018. Ulan-Ude: National Museum of the Republic of Belarus. Web. 12.09.2018. http://www.muzeyrb.ru/category/izd/ (дата обращения: 12.09.2018). (In Rus.) 3. Komarova, N. P. Catalog of the exhibition of Dashi Namdakov. London. Galereya Khel’sion, 2012: 51–57. (In Rus.) 4. Marts, L. V., Komarova, N. P. Nomad and sculptor Dashi Namdakov. Catalog of the exhibition “Between the Heaven and the Earth”. M: GIM, 2014: 2–8. 5. Field materials of the media grant RGS “Arts and crafts of the peoples of Eastern Siberia” by Tumurova, E. Sh. 2018. Book 1. P. 18. (In Rus.) 6. Sampilov, Ts. S. Ethnographic sketches. Novosibirsk: Nauka, 1995. 7. Simukhin, A. I. Formation of the collections of copper-bronze products of the Bronze Age of Western Transbaikalia (historiography of the issue). Sovremennye problemy nauki i obrazovaniya, no.6, 2014. Web.10.09.2018. http://www.science-education.ru/ru/article/view?id=16057 (In Rus.) 8. Simukhin, A. I. Preliminary results of an archaeological survey of a section of the right bank of the Khudan River in the Kizhinginsky District of Buryatia. Izvestiya Laboratorii drevnikh tekhnologij, no. 1, vol. 8, 2010, pp. 275–290. (In Rus.) 9. Sukhanova, P. A. Models of Effective Clusters in the Conditions of the Formation of an Innovation-Type Economy: A Review of Foreign and Domestic Approaches. Ars Administrandi. 2016: 17–27. Web. 10.09.2018. https://www.cyberleninka.ru/article/n/modeli-effektivnyh-klasterov-v-usloviyah-stanovleniya-ekonomiki-innovatsionnogo-tipa-obzor-zarubezhnyh-i-otechestvennyh-podhodov. (In Rus.) 10. Sibirtseva, Yu. A., Kilddyashova, T. A. Cultural resources of the territory: development strategies. Vestnik Pomorskogo universiteta, no. 2, pp. 120–124, 2011. (In Rus.) 11. Fedorova, M. V., Wang Limei. The origins of the national culture in the dolls of the Namdakovs’ family. Katalog vystavki “Ulger” v Pekine. Pekin: Аrt-muzej Millenium: 2–6. Web. 10.09.2018. http://www. collection.sina.com.cn/yhds/2016-12-17/doc-ifxytqav9631648.shtml (In Rus.) 12. Fedorova, M. V. Author dolls of the Namdakovs’ family. Catalog of the exhibition “Ulger” in the Russian Museum of Ethnography. SPb: REHM, 2018: 12–13. (In Rus.) 13. Kramarovsky, Mark. Genghis Khan: the End of the Myth of the Triumphant Victor. A Nomad’s Universe Dashi Namdakov. London: HalcyonGallery, 2012. Pp. 35–47. 14. Hesmondhalgh, D. The Cultural Industries. Second Edition. London: Sage, 2007. (In Engl.) |
| Full article | Traditional Crafts of Eastern Siberia and Modern Art Culture as a Source of Creative Industries Development (on the Basis of Comparative Analysis of the Russian Ethnography Museum Exhibits and the Namdakovs’ Author Dolls) |
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